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the hidden room
search.  enter.  play.
the hidden room presents:
 
 the Taming of the Shrew -
Original Practices
directed by beth burns

 

april 30th – may 23rd
fridays and saturdays at 8pm
sundays at 5pm
 
 - in a hidden room somewhere in downtown Austin -




Break ground with Austin’s first Original Practices Shakespearean production…
Shakespeare’s fiery masterpiece is performed by an all-male cast,with live musicians on period instruments, and exquisite costumes built with attention to period detail. The Taming of the Shrew is performed with the quick, muscular textual delivery andexuberant character-driven style of the Elizabethans, by accomplished classical actors.

The artists for the Taming of the Shrew come from such noted organizations as theSteppenwolf Theatre Company, Rude Mechanicals, Bedlam Faction, The Groundlings, Second City, Penfold Theatre Company, Austin Shakespeare, the London Academy for Music and Dramatic Art, and more.


Please contact the Matriarch for your  reservations, as well as the secret location and password for admittance.  

the matriarch
(310) 243-6426

 

 View beautiful high resolution photographs here…

all photos by Kimberley Mead


Who is in the Hidden Room?

 

The Hidden Room is a group of actors, artists, and alchemists who have individually produced theatre all over the world.  We have joined together out of shared respect and a compulsion to create extraordinary work.
 
We do not stay in one place long.  The Hidden Room’s spaces are transitory, not only from production to production, but from show to show.  One must search to find.
 
Members of the Hidden Room Society are granted special access to events, creations, and secret happenings.   Investigate, participate, and you shall be rewarded.
 
What is “Original Practices?”
Original Practices or “OP” productions strive to recreate the playing circumstances that existed when a play was first performed. We have found that using original practice solves textual problems and clarifies audience understanding far more than the ever-popular modernization approach achieves.

How is the Hidden Room achieving this work?
We are grateful for the revolutionary OP work embarked upon by Shakespeare’s Globe Theatre while under former artistic director Mark Rylance.  Globe Education has been extremely generous in sharing their knowledge from those years of OP focus, and we have done our best to learn from them.   We are also relying upon the renowned scholarship of Andrew Gurr, and the current work by the American Shakespeare Center.
The Hidden Room has associations with actors at both the RSC and the Globe, and some of the world’s most renowned Shakespearean scholars.   Our actors are all thoroughly trained in the rising iambic technique of textual delivery, and enjoy many hours of rigorous textual analysis.  Our costumes, make-up, and props are being created using period appropriate materials and methods whenever possible.  Music is pulled from extant sources and played on Renaissance instruments. Universal lighting illuminates our space, connecting play and audience.  We have found this style, which we believe to be much like Shakespeare’s own, to be revelatory and we are eager to share our discoveries with you.
 
Critics call Beth Burns’ previous work with Shakespeare:
“…easily one of the more accomplished productions of a Shakespeare play I’ve seen in my 20-plus years in Austin.”  - Barry Pineo, Austin Chronicle

“…the laughs here are abundant…Burns’ Twelfth Night calls to mind two of Malvolio’s lines, ‘In my presence smile,’ and ‘Be not afraid of greatness.” – Spike Gillespe, KUT Radio

“…so much fun that the play’s resolution is like an amusement ride closing before you’re ready to leave…” – Elizabeth Cobbe, Austin Chronicle

“They know what they’re doing, and do it well…with their confident mastery of Shakespeare’s language… a captivating night of amusements.” – Michael Meigs, Austin Live Theatre

“…intense, emotional, and wonderful…” – Joey Seiler, Austin-American Statesman


Master of Play –  Beth Burns

 

Beth Burns is an actor, director, and National Endowment of the Arts/NFRIG award-winning playwright.  She studied playwrighting extensively with Edward Albee and found in him both a mentor and a friend.   In Los Angeles, her work as a director earned glowing reviews from the LA Times, Backstage West, and the LA Weekly.   Burns went on to work for the world-famous comedy theatre the Groundlings as an instructor and performer, and was a regular in the SNL short “Bear City.”  She now splits her time between Los Angeles and Austin.  Austin projects have included Tim McCanlies’ film “The Two Bobs,” directing the delightful “12th Night” and “As You Like It,” Scottish Rite Theatre,  and the world premiere of her own play “the Long Now” (Outstanding Original Script – B. Iden Payne Awards.)   Beth’s next project, a collaboration with the Wise Monkey Theatre Company, takes her to London in June.  

Players
Ryan Crowder, Robert Deike, Brock England,
Judd Farris, Scot Friedman,Ryan Hamilton, Nathan Jerkins,
Craig Kanne, Sean Martin,Robert Matney,
Eric Porter, Benjamin Summers, & Rommel Sulit

 - the hidden room –


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